Don't Stop The Music
The recent tragic events in the Phoenix Park should not be used to prevent music lovers from attending and enjoying gigs to the max.
Niall Stokes, 29 Aug 2012
The same held true in Lisdoonvarna, the legendary festival immortalised in the hilarious Christy Moore song.
It’s easy to forget too that in its final year, 1982, Lisdoonvarna culminated in a riot. There were some fearsome exchanges between Hell’s Angels and members of the public, with numerous people injured. There were riots the night before the Bob Dylan gig in Slane in 1984. Both of these gigs saw deaths too, from drowning. A youth was stabbed and died at a Radiators From Space gig in UCD early in the punk era. To remember this is not in any way to minimise the recent tragedy. But it is to say that it’s important to keep these things in perspective.
In an imperfect world, there’s only so much you can do to exert control. If some people come determined to cause trouble, at a football match or a parade in the city centre as happened on St. Patrick’s Day a few years ago, or at a gig, no hand-wringing afterwards is going to change that.
The fact is that the vast majority of gigs happen without any form of complication whatsoever. Some events, of course, are more volatile than others. The Swedish House Mafia show was one of those very rare occasions.
While it is facile to generalise sweepingly about any audience, clearly the crowd for Swedish House Mafia and Snoop Dogg was very different from that which would show up at a Bruce Springsteen or a Madonna gig. For a start, the average age was far younger. In addition, certain types of dance music attract a tougher, in some ways hardcore, urban audience.
To put it gently, you might say that it is more a soccer crowd than a rugby one. But that doesn’t make that audience any less entitled to see their heroes in action or any less entitled to go to a great show.
At the licensing stage, certain conditions were put in place in relation to security for the gig. The Gardaí were involved in every aspect of the planning, as they are in relation to all major shows. The requirements set out were exceeded by the promoters M.C.D. There were 125 gardaí and 511 private security personnel on duty.
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Niall Stokes
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1995-06-28 - Interview
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1995-02-22 - News
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1994-02-23 - Frontlines
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1985-02-01 - REVIEW
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1984-12-14 - News
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1984-07-27 - Interview
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1984-06-15 - REVIEW
An occasion, a night to remember, an unrepeatable experience.
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1983-01-21 - REVIEW
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1982-12-15 - News
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1982-09-17 - Interview
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1982-08-06 - REVIEW
This is the point at which we finally jettison any attempt to lumpen Rory Gallagher with the HM crew, new or old.
1982-04-02 - REVIEW
Niall Stokes talks to Bono and The Edge about their 1982 Hot Press Poll victory.
1982-03-05 - Interview
The story of how Paul Brady was transformed from a superlative folk artist into a superlative rock artist in a blinding flash of light (well, fifteen years actually). Today's reading is by Niall Stokes.
1981-05-23 - Interview
There's a new star in the charts tonight, and throughout the land there is much rejoicing (especially in some of the more fashionable areas of London). One of punks more pathetic jokes, Adam Ant, forsakes his past of seedy night clubs.
1980-12-20 - REVIEW
ABBA have seldom been acknowledged by those who arbitrate or presume to arbitrate on matters of rock taste. Apart from a brief flirtation about five years ago, rock culture – in as much as the phrase actually signifies anything concrete – has continued to stick them with the legacy of their Eurovision success.
1980-11-22 - REVIEW
Somebody is onto something, that's for certain. To begin with the name has a touch of magic. Dexy's Midnight Runners suggests something illicit, even apart from the drug reference. It's both strong and open, pointed and evocative. And in the end it's accurate because it registers the desired connection – Dexy's Midnight Runners are a soul band.
1980-07-19 - REVIEW
Niall Stokes' 1979 My own album of the year was the Radiators ‘Ghostown’
1979-12-15 - News
The last year has been one of ups and downs for Thin Lizzy. Brian Downey elaborates for Niall Stokes
1979-10-04 - Interview
Searchlight On The Future. View From The Rear: Brian Downey. Occasional Angles: Phil Lynott. In the middle: Niall Stokes
1978-07-21 - Interview
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