It was the early hours of Valentine’s Day in 1981 when the fire started in the Stardust nightclub in Artane on the north side of Dublin. It quickly went out of control, and in the ensuing holocaust 48 people died and 214 were injured.
In 1991, five years after the death of Phil Lynott, the late Bill Graham wrote in Hot Press of Philo's enduring legacy. Over ten years later his words are as relevant as ever
Not since The Bothy Band in 1976, has an Irish traditional group signed to a major international label. By linking up with Virgin, ALTAN have confirmed their status as the pr-eminent force on the Irish scene and signalled their readiness to take on the world. Of course, theirs has been no overnight success story and, with the tragic loss of Frankie Kennedy, one that has also involved an immense amount of emotional courage. Interview: BILL GRAHAM. Pics: COLM HENRY
Despite the controversies in which she has recently bee involved, when SINIAD O'CONNOR starts talking music it becomes evident why she ran away to join the rock'n'roll circus in the first place. Citing Bob Dylan, Bob Marley and Van Morrison as her ultimate trinity, she discusses the spiritual forces that drive and inspire. Interview: BILL GRAHAM
Any resurrection of Dusty Springfield's career should be applauded. It's almost unanimously accepted that she was the foremost British Sixties diva. Only the undeservedly spurned Julie Driscoll was capable of competing with her. But sadly, A Very Fine Love plays far too safe, submerging and almost drowning her in its mainstream marketing strategy.
For the launch of his second album, UNDER THE MOON, MARTIN HAYES returned from his new home in Seattle to his native town of Feakle, deep in the heart of Clare. BILL GRAHAM travelled west to meet one of the musicians responsible for the resurgence in Irish music and discuss his roots in the local tradition, and speculate on the possibilities and conflicts opening up within the genre.
From Chet Baker through Joe Cocker to The Cranberries, the world of music owes the late Denny Cordell an enormous debt. Bill Graham pays tribute to an inspirational craftsman who made Ireland his final home and resting place.
Now that American rock ’n’ roll has succumbed to its self-destructive urges and with its British counterpart reduced to self-indulgent navel exercises, the stage is now set for the radical rejuvenation of Irish music both as an international commercial viability and as a cultural touchstone for the new generation at home. Bill Graham meets philip king, the captain of the flagship of the latest revival river of sound, and finds that in the wake of the Riverdance phenomenon, it’s full steam ahead for Irish trad. Pix: NUTAN.
Though often overlooked, some of U2’s most exciting and challenging music through the years is to be found hidden away on the flip side of their singles. From U23 to Melon bill graham rides the wild horses of the U2 back catalogue and finds that there’s quite a few thoroughbreds among their many cover versions and experimental remixes.
It reads like a scene from Twin Peaks but turns out to be far stranger than any fiction. Bill Graham dons his best John Travolta strides and eavesdrops on the American slants being given to Irish traditions at the Green Linnet Folk Weekender.
Pix: DAVID NEWTON.
Never has a leader of a government so suicidally snatched defeat from the jaws of victory as Albert Reynolds has. BILL GRAHAM mulls over the reasons why.
The Catholic Church has blamed ‘system failure’ and human fallibility for its failure to crack down on the paEdophile Fr. Brendan Smyth. Not so, argues BILL GRAHAM: here, he
examines the role of the Church and, particularly, Cardinal Cahal Daly in the wake of Fr. Smyth’s crimes, and comes to some damning conclusions.
With the next government looking increasingly like another Fianna Fáil/Labour coalition, BILL GRAHAM questions what role the Fine Gael Leader will play now that he has missed the boat yet again.
When a police investigation was launched into Michael Jackson’s alleged activities with Jordan Chandler, the King of Pop’s media image went from Peter Pan into the fire. In his new biography christopher andersen becomes the spokesman for Wacko’s degeneration offering a damning portrait of the real man behind the mask. Report: Bill Graham.
Albert Reynolds has, it seems, wilfully wrecked a coalition government whose achievements were numerous and real, possibly endangering the peace process while he’s at it. BILL GRAHAM wonders why, and ponders the repercussions of the foolhardy actions of Harry Whelehan’s No. 1 fan.
As Albert Reynolds basks in the post-ceasefire glow and Dick Spring’s Labour party strives to assert its
independence in government, BILL GRAHAM believes that the real losers in the new political landscape are the Progressive Democrats.
In the wake of the IRA’s complete cessation of violence, the Unionist community must engage in a process of re-defintion – because while they have been clinging to the last vestiges of the British Empire, the world around them has been transformed. By Bill Graham.
When blues legend B.B. King came to town for his recent bash at College Green, as part of the Guinness Blues Festival, BILL GRAHAM caught up with the man whose extraordinary career has spanned many decades and which shows no sign of abating.
Pix: CATHAL DAWSON.
With his work on the soundtrack to In The Name Of The Father bringing him into the full glare of media attention Gavin Friday takes this opportunity to put to rest any accusations of riding on U2’s coat-tails. Confident and brimming with ideas for his solo career, The Spotlight Kid gives the lowdown to an eager BILL GRAHAM.
Mohammed Amin was the cameraman on Michael Buerk’s historic Ethiopian famine reports, which shocked Bob Geldof into founding Band Aid. Now, as head of Reuter’s African Bureau, he spends his time trying to correct the west’s distorted view of Africa and to show that there is more to life there than apocalyptic crises and starving babies. Interview: Bill Graham. Pix: CATHAL DAWSON
It’s off to the most Northerly gig in the country with the island angels of ALTAN as BILL GRAHAM spends a weekend in Donegal with our most dynamic traditional outfit and posits the theory that by looking to the past for inspiration Altan may hold a significant key to the future.
There are those who believe that the Downing St. Declaration offers the best hope of peace in Northern Ireland for twenty-five years. But as Sinn Féin’s consideration of the fine print drags on, Bill Graham accuses them of theological nitpicking and argues that their negotiating position makes impossible demands on reality.
It's off to the most Northerly gig in the country with the island angels of Altan as Bill Graham spends a weekend in Donegal with our most dynamic traditional outfit and posits the theory that by looking to the past for inspiration Altan may hold a significant key to the future.
When the offer came to produce the new Rolling Stones album in Dublin what answer could Don Was give but a resounding ‘Yes’. Mick, Keef & Co. are the latest in a long and impressive list of the man’s studio credits which includes Bob Dylan, The B-52’s, Willie Nelson, Bonnie Raitt and Paula Abdu. But throw in the small matter of the career of Was (Not Was) and the musical rehabilitation of errant Beach Boys’ genius Brian Wilson and we’re talking major industry player here. Bill Graham takes up the story . . .
PACK YOUR LEMSIP AND NIGHT NURSE AND PREPARE TO DO BATTLE WITH THE BEIJING FLU AS THE SAWDOCTORS TACKLE THE SOUTH OF ENGLAND ON THEIR LATEST TOUR. CURRENTLY BETWEEN LABELS THE BAND’S U.K. FANBASE IS INCREASING STEADILY, EVEN IF THE CONCEPT OF ‘DESIGNER BOGMEN’ HAS YET TO PENETRATE THE SHIRES
CHECKING THE TEMPERATURE: BILL GRAHAM.
Over the past twenty-five years, attitudes and experiences in the North’s two biggest cities, Belfast and Derry, have been markedly and vitally different. To understand why may help us to define both the opportunities for and the obstacles to peaceful change. Report: BILL GRAHAM
When Nirvana exploded out of Seattle with the classic grunge album Nevermind, they were hailed as modern primitives, punk upstarts whose hard musical edge and authentic street style were the antithesis of the dominant ethos of corporate rock. Two years on however, their reputation as Rock 'n' Roll rebels is somewhat less secure. Bill Graham sifts through two new biographies of the band, and talks to Victoria clarke, the co-author of a third which has been effectively surpressed by the Nirvana 'corporation'.
Coke is it. Coke is the real thing. It's not the choice of a new generation but the choice of countless generations past, present and future. Coca-Cola knows how to get American presidents elected and is even responsible for Santa Claus as we know him.
Here BILL GRAHAM delves into Mark Prendergast's unauthorised history of the company, For God, Country and Coca-Cola, and discovers over a century's worth of evidence that Coke is no ordinary soft drink.
We asked the fans to vote for U2's Greatest Hits and they did - in their thousands. The result is a selection of 20 tracks which, without doubt, would combine to produce a record to rank among the weightiest and most powerful anthologies in the history of rock. The full track listing is not without its controversial selections and omissions, however. Bill Graham and Niall Stokes take us through the fans' vision of the fab four's dream album.
Misdirected criticism of U2 for their Sarajevo satellitre link up has plagued publications as diverse as The Independent and NME. But none of these has bothered to ask BILL CARTER, the American in Sarajevo who actually conceived the idea, what he makes of the whole thing. Here BILL GRAHAM does just that.
...or was it? U2's recent Irish dates were greeted with everything from wide-eyed adoration to open hostility. BILL GRAHAM was in the crowd at Pairc Uí Caoimh and the RDS and puts the Zoo TV experience into perspective. Pix: COLM HENRY
IS L a Thomas Pynchon fan, an acolyte of the siren, 'V', in the American gamester's first novel? Probably not since 'L' is a pun on the French feminine and the L of this record is a far less contrary character than Pynchon's R Sphinx.
Or perhaps we might have reached for another old familiar headline - Fears and Loathing in RTE - as the bosses at Radio 1 announce the chopping of virtually all specialist music programmes from the schedule. It is, writes Bill Graham, an act of cultural criminal negligence.
When Michael D. Higgins suggested that U2 and Neil Jordan should be studied in Irish colleges, all hell - if Mr McPhisto will forgive the expression - broke loose. However, there may, on some of Michael D.'s critics' part, be a deliberate attempt to misconstrue what he said. By Bill Graham.
Zoo TV takes on an entirely new dimension as U2 introduce a nightly satellite link-up with the distressful city of Sarajevo. Bill Graham talks to Bono about the idea's conception, downfalls, and ultimate importance.
Don't write the singular Maria McKee; write the plural Maria McKee instead. Bill Graham encounters a mercurial talent in a variety of moods, musics and memories.
Sharing the spotlight with only his trusty guitar, Ireland's foremost troubadour Christy Moore prepares to take on audiences at The Point later this month. Here he tells Bill Graham of his growing sense of worth and self-confidence, defends Siniad O'Connor's right to free speech and explains just why good hecklers are worth their weight in gold.
Though their second album, All The Way From Tuam, has yet to hit the shops in Britain, The Sawdoctors are beginning to pack em in in the strangest of places like Norwich and Leeds. Bill Graham talks to Leo Moran about the band s phenomenal success to date and, against a backdrop of cynicism among rock s self-conscious cognoscenti, asks the perennial question: what is hip?
"In dreams begin responsibilities" – is the Delmore Schwartz line that's been used by both Lou Reed and U2. But it doesn't quite suit the latest album from another member of their coterie, T-Bone Burnett.
See him after midnight in the trailer-park: beside his fire with its strange aromas, the withered man with the parched voice and the piercing eyes with even stranger talismans on his jacket.
It's getting deafeningly obvious that "Country" is rapidly becoming a meaningless term as kd lang turns into a cosmopolitan chanteuse and now Lyle Lovett strays further from cartoon redneck roots.
Like Dinsdale Piranha in the old Monty Python sketch, Cathal Coughlan uses sarcasm. Sometimes with a sledgehammer, elsewhere with a stiletto - but he never stoops to the tender, poisoned compliments of polished English irony. Cathal Coughlan is no member of the loyal opposition.
With his upcoming concert in Poulaphouca marking his solo Irish debut, it's been all too easy in the recent past to overlook Bob Geldof's standing as a musical and lyrical artist. The lines connecting the youthful Dun Laoghaire blues and Dylan aficionado with the creator of The Vegetarians Of Love are rarely traced in media-bytes that prefer to concentrate on Modest Bob, Live Aid Bob and Saint Bob. Here, Bill Graham, who knew the schoolboy, takes musician Bob on a freewheeling trip from then to now.
With his upcoming concert in Poulaphouca marking his solo Irish debut, it s been all too easy in the recent past to overlook Bob Geldof s standing as a musical and lyrical artist. The lines connecting the youthful Dun Laoghaire blues and Dylan aficionado with the creator of The Vegetarians Of Love are rarely traced in media-bytes that prefer to concentrate on Modest Bob, Live Aid Bob and Saint Bob. Here, Bill Graham, who knew the schoolboy, takes musician Bob on a freewheeling trip from then to now.
It is, of course, exceedingly easy to ridicule the Flowers. Hardly Irish modernists they've often come across as dream-dazed in their Celtic haze, a band whose
emotions have outstripped their creative sense and whose neo-hippie leanings actually owe less to Timothy Leary, San Francisco et al than to the juvenilia of the
early Yeats before he most belatedly lost both his virginity and feyness at 29.
Determined to establish a firm identity for their second album, A House forsook exotic locations and took themselves off to Inishbofin to record I Want Too Much, musically and emotionally their starkest statement to date. Bill Graham met up with them to discuss their new-found assertiveness and discovered a band with a single-minded approach to the music industry and its numerous pitfalls
With his upcoming concert in Poulaphouca marking his solo Irish debut, it's been all too easy in the recent past to overlook Bob Geldof's standing as a musical and lyrical artist. The lines connecting the youthful Dun Laoghaire blues and Dylan aficionado with the creator of The Vegetarians Of Love are rarely traced in media-bytes that prefer to concentrate on Modest Bob, Live Aid Bob and Saint Bob. Here, Bill Graham, who knew the schoolboy, takes musician Bob on a freewheeling trip from then to now.
Sinéad O'Connor's records don't necessarily reveal themselves speedily. I know that, on the first hearing, 'The Lion and the Cobra' seemed to me an ill-fitting match of various discordant styles. I didn't really crack it 'till its sixth time round my turntable.
Deciding he d achieved as much as he could within the confines of the music scene in Ireland. Barry Moore changed his name, packed his bags and took off for the USA. There, as Luka Bloom, he was fjted for his live performances, awarded a major international record deal and his debut album, Riverside, given the four-star treatment by Rolling Stone. On a visit home, he tells Bill Graham about his emigrant s success story and explains how a man who was regarded as a folky in Dublin came to cut a rap track in New York.
Each Man Kills The Thing He Loves can't but arrive as a Big Statement. The Virgin Prunes were always elitist, dissembling, treacherous spies in the house of Irish rock.
In Ireland, conspicuous celebrity replaced politics. The press didn’t get to interview the Taoiseach so they documented the social activities of his Press Secretary P. J. Mara.
From small-time ramshackle punk'n'Irish troubadours to 'international touring act' in the space of six incident-packed years, The Pogues have not only produced music to consistently surprise and delight - they've put it in the charts too! With the help of band members Phil Chevron and Jem Finer, Bill Graham examines The Pogues' enigma in advance of the outfit's impending Christmas single 'Yeah, Yeah, Yeah, Yeah, Yeah' (phew!) and their seasonal show at The Point Depot in Dublin.
Sprawling across four restless, angry and sometimes contradictory sides, "Rattle And Hum" is nothing less than U2's most ambitious album yet. Review by Bill Graham
Till now, Pogues' compliments have invariably centred on Shane MacGowan's singular songwriting. The group's erratic performances which could descend into some ramshackle acoustic heart of darkness meant the praise wasn't always extended to his fellows.
Sprawling across four restless, angry and sometimes contradictory sides, "Rattle And Hum" is nothing less than U2's most ambitious album yet. Review by Bill Graham
It's a double home-coming as U2 return from their odyssey 'round the globe to bring "The Joshua Tree" tour to their fanatical Irish supporters in Dublin and Cork. Bill Graham reports.
The Christy Moore Interview by Bill Graham
Christy Moore is out on his own. He can't be limited as just a folk singer or a popular artist. Rather he's increasingly an Irish national fixture with an influence far beyond the mere entertainer's reach.
ENYA: THE LATEST SCORE
From the Gweedore family that gave the world Clannad, another success story in the making. Enya,whose new album featuring music for the forthcoming TV series The Celts , is already making waves months before the programme itself goes on air, is joined by producer Nicky Ryan for a three-way conversation with Bill Graham. Pix:Colm Henry.
"The Joshua Tree" clarifies how U2's vocation has become the revival and renewal of rock and the recovery of its most romantic values. It also highlights the group's new commitment to the song. Review by Bill Graham
"The Joshua Tree" clarifies how U2's vocation has become the revival and renewal of rock and the recovery of its most romantic values. It also highlights the group's new commitment to the song. Review by Bill Graham
‘That’s entertainment’ was the message of the year but not as Paul Weller intended it, for in 1986 popular music was closer to mass entertainment as Declan McManus’ pater knew it than any year since Elvis Presley swivelled his hips on the Ed Sullivan show.
Once mocking pop-art contenders and Virgin’s original intercontinental explorers, XTC now settle in Swindon and purvey a rural psychedelia that’s as English as tuppence, cucumber sandwiches and cream teas.
The Edge talks to Bill Graham about his soundtrack album "Captive" - and about the hidden reservoirs the band are charting in their search for the follow-up to "The Unforgettable Fire"
Hear this man carelessly and distractedly humming to himself, in the bathroom mirror: “And if a double-decker bus/crashes into us/To die by your side/ Such a heavenly way to die/ And if a ten-ton truck/Kills the both of us/To die by your side/ The pleasure and privilege is mine.”
Consider both the facts and the odds. It would be more likely that a torrent of frogs would descent from the skies to land on the Palace of Westminster and then pass through six floors down to the Parliamentary chamber to squelch upon Margaret Thatcher’s head that that King Of America would be anything other than an excellent album.
In the magical, wind-swept landscape of Ireland's remote north-west the cameras roll as U2's Bono and Maire of Clannad make the video for their collaborative single "In A Lifetime". Bill Graham joins the entourage at work and at play and talks to the main protagonists.
“And now we havf ze results of ze ‘elseekni jooury” … burble, squeal, zeekzrrzzsngtum … oops, we’re sorry, we’ll write that again … the result of the Hot Press jury, who wish to profusely thank David Byrne for all those pints he bought us in the International Bar last week – even if he did rather endanger his chances with all those neo-structuralist musings about The Bogmen.
’85 was a remarkably stagnant year. Twelve months after the end of ’84, little seems to have changed or advanced musically and I only hope and pray we won’t be running on the same spot when ’86 ends.
The glum view is easily stated: finally, after eight years, the Bay City Rollers revival. The dominant pop purveyors – Duran, Wham, Spandau, Culture Club, Young, Kershaw, and Jones – regressed to the most conservative models of teen exploitation.
"We didn't want it to be the same type of production, Reckoning is less of a mood record, more of a song record". Thus R.E.M. guitarist, Peter Buck on the reasoning behind Reckoning. For once, the pre-sell of the press-release contains the truth.
Boy George brought androgyny to Toy Town and made every gel wish he was their teddy-bear. Annie Lennox proved that women could take the harder part. Otherwise, Brit-pop melted down to pills and soft-soap.
Four years on from Inflammable Material and even Jake Burns is beginning to wonder if Stiff Little Fingers are losing their bearings. Here he reveals some of his misgivings to Bill Graham
On the sleeve of Heaven Up Here, Echo And The Bunnymen look West but they won't be transported by Jim Morrison's blue bus. Say The Bunnymen, "Set sail in these turquoise days"; their schooner is fit for the journey.
John Lennon is back but trust him to deflate the expectations that have been invested in his return. The message of Double Fantasy is that he and Yoko won't be anybody's heroes if they can't be each other's. This is a family album, Yoko's as much as his.
Darkness At The Edge Of Town was the album when Bruce Springsteen and his repertory of characters finally grew up. Which makes it a hard act to follow.
Any resurrection of Dusty Springfield's career should be applauded. It's almost unanimously accepted that she was the foremost British Sixties diva. Only the undeservedly spurned Julie Driscoll was capable of competing with her. But sadly, A Very Fine Love plays far too safe, submerging and almost drowning her in its mainstream marketing strategy.
