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Bob Geldof - The Years Of The Rat

In the first part of a major interview conducted at last year’s Music Show in the RDS, BOB GELDOF talks candidly about life as an illegal immigrant in Canada, how the Boomtown Rats took on official Ireland and then went on to duke it out with the Pistols and The Clash, and what triggered his involvement in Live Aid. Plus, a look back at Bob and the Rats on the cover of Hot Press.

Niall Stokes, 09 Feb 2011

The hits started to happen immediately and you hit No. 1 in the UK for the first time with ‘Rat Trap’. And when you hit No 1 you tore up a picture of John Travolta and Olivia Newton-John on Top Of The Pops. What was that all about?

As we arrived in London, this whole surge of kids came forward, the Sex Pistols, The Clash, The Jam and we were viewed with deep suspicion ‘cause we spent a year in Ireland learning our chops sort-of thing. And we were paddies, all living in one house, and sort-of there were no punks outside of London, I don’t know of any punks from Derbyshire if you can remember, but the Yanks liked us. So we played with The Ramones and Talking Heads from four in the afternoon in schools and gymnasiums and nobody could beat The Ramones – but the kids who had the flares and the mullets didn’t get Talking Heads, ‘cause it was The Talking Heads first, Rats second and The Ramones third.

And we started making records. We had the hits but really the charts were clogged up with stuff like y’know Olivia Newton-John, John Travolta, always at Numbers 1, 2 and 3. And they seemed to be have been there for years. People think now that The Clash, The Pistols, The Jam and us, we just had constant hits, it just isn’t true, it’s just like how you imagine the ‘60s with The Beatles and The Stones but when you look at the charts it’s awful. And so when we got to No. 1 we couldn’t believe it because we were getting killed by the critics because we had so many singles, so we said we’ll prove to them we’re not just a singles band. And we’ll bring out the most album-y track we have, ‘Rat Trap’. And it was the DJ Kenny Everett that suggested it – he had a TV show and we shot a video for the show, we were on tour, mid-city and next thing literally all the record shops were calling to say that people have been asking for that record but it’s not a single. So Nigel Grainge from Ensign said, “Put it out as a single”, so it crawled up the charts, went in at Number 6… 5… 4. I thought we’ll never get higher than 4, so I cut it out of Music Week and kept it. And then it went to 3, so I kept that, cut that out and I thought that’s it. And then we went 2, I mean it just doesn’t happen and I mean we never thought, because 2 is so exciting… and then No. 1. And I couldn’t believe it, could not believe it. It was the first Irish rock No. 1, and so if you look at that Top Of The Pops I’m wearing a little Irish flag badge, and I mean, I’m not nationalistic at all but it felt great. And it was the first of the new wave of No. 1’s and so I got this thing from My Guy magazine of John Travolta and I told Kid Jensen who was the DJ who introduces it to go in on the camera and to say “It’s No. 1” and everyone would say “Oh, it’s fucking John Travolta again”. And so (motions to tearing the picture) like this was the big reveal… and so I revealed the magnificent us.



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