- Music
- 22 Nov 24
Sixth album from Josh Tillman under the FJM moniker. 8/10
Mahashmashana, the Sanskrit word for ‘great cremation ground’, sees Josh Tillman doing what he does best on his sixth outing as Father John Misty; welding clever lyrics to orchestral ‘70s-inspired soft rock. That said, the title track, which weighs in at nine minutes and 20 seconds, skirts a little close to the middle-of-the-road, particularly when the saxophone solo kicks in.
That benighted instrument makes another appearance on the stop/start ‘Being You’, which automatically sets this listener’s spidey senses tingling. Similarly, on ‘Mental Health’, the AOR arrangement is at odds with Tillman’s literate, acerbic wordsmithery; it perhaps overdoes the irony, becoming almost a pastiche of lounge musak.
Just when you think Tillman has gone too far, however, he hits you with the brilliant, Beck-esque dose of electro-funk of ‘She Cleans Up’, where the melody occasionally and weirdly echoes the 1991 Phil Collins-led Genesis hit ‘I Can’t Dance’.
Previously released single ‘Screamland’, which features Alan Sparhawk from Low on guitar, starts slowly, with a heart-beat rhythm, ululating synths and Tillman’s croon, before building into quite the anthem, his vocal almost buried amid waves of distortion.
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The catchy ‘I Guess Time Makes Fools of Us All’ is brilliant, eight-and-a-half minutes of pure Tillman wordsmithery around a quasi-bossa nova swing, while ‘Summer’s Gone’ is a string-drenched croon-fest that wouldn’t be out of place in the Cole Porter songbook.
Proof, if it were needed that Tillman loves confounding expectations, veering from the sublime to the ridiculous, with a knowing wink and a shrug.