An exciting blend of Malian rhythms and rock‘n’roll, Optimisme is a reminder of music’s power to transcend both national and linguistic boundaries. It boasts searing guitar licks, powerhouse percussion and multiple languages, But Songhoy Blues are political to the marrow.

The record opens with a bang, thanks to the ferocious ‘Badala’, a healthy dose of hard rock that screams of a desire to break free from the constraints of oppression. The theme of striving for freedom is ingrained within the group, comprised of refugees from a country divided by war and ideology. It sets the stage for a record that embraces the high energy of live rock. The blues-inspired chord progressions are combined with infectious guitar solos, modernising the sounds of classic rock with a unique global influence. Every layer is tightly controlled, yet feels carefree in its enthralling exploration of a kind of modern punk.

Optimisme offers some moments of mild solace between its hardest-hitters, bringing together elements of psychedelic funk and desert blues. ‘Worry’, the only English track on the record, offers a message of hope – an important note, in a world that’s been consumed by existential anxiety. The vocals – showcasing a distinctly African style of singing, involving an astounding level of voice control – are entrancing no matter what language the lyrics are being sung in. The voice becomes yet another instrument within the band’s marvellously layered collection of eclectic sounds. Above all else, Optimisme feels urgent. Songhoy Blues’ unique desert blues herald a new future beyond the sonic constraints of the classics.

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