- Music
- 18 Nov 22
Sad songs couched in the warmest of arrangements
This is the second part of a purported trilogy from Weyes Blood that started with 2019’s Titanic Rising, which came complete with a sense of impending doom. Continuing the theme, And In The Darkness, Hearts Aglow is about “feeling about in the dark for meaning in a time of instability and irrevocable change”, according to songwriter Natalie Mering.
That sense of trying to hold on to a sense of self while everything around you falls apart certainly pervades, particularly on opener ‘It’s Not Just Me, It’s Everybody’, where Mering admits “Everybody splits apart, sometimes” on a song that’s part Buddhist anthem, part elegy for the disintegration of society. The ‘70s-inspired ‘Hearts Aglow’ has her admitting to “looking for love in the wrong places”, while ‘The Worst Is Done’ manages to couch her pessimism behind some gorgeous, Carpenters-esque arrangements.
Even the addition of birdsong on the slow drone of ‘God Turn Me Into A Flower’ manages to feel normal, with only the syncopated percussion of ‘Twin Flame’ meandering into the realm of background music.
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While the themes may be dark, the music is anything but, with Mering and co-producer Jonathan Rado (Foxygen) layering her existential angst over the richest of arrangements – all immaculate backing vocals, tender piano, claps and finger-clicks. The warmest songs of despair you’re likely to hear this year.
7/10