- Music
- 20 Sep 05
The opening track from the Belgian rockers’ second LP, the Josh Homme-produced Paradisiac, kicks off with an understated swirl of bass-heavy drumming, riffage to the max and crazed electronic distortion before the climactic chorus proves them to be a version of Soundgarden introduced to the complex ways of the noughties. Sadly, Tim Vanhamel’s sound isn’t so much a voice as an unprojected whisper, but given time they could prove to be something very special.
The opening track from the Belgian rockers’ second LP, the Josh Homme-produced Paradisiac, kicks off with an understated swirl of bass-heavy drumming, riffage to the max and crazed electronic distortion before the climactic chorus proves them to be a version of Soundgarden introduced to the complex ways of the noughties.
Sadly, Tim Vanhamel’s sound isn’t so much a voice as an unprojected whisper, but given time they could prove to be something very special.