Tracy Chapman first became famous for songs that were stark and startling, angry and poignant. ‘Fast Car’, ‘Talkin’ ‘Bout A Revolution’ and ‘Why?’ were tracks that reached into real issues and resonated with millions.
Fourteen years on, the rich, gorgeous voice remains the same, but the attitude has altered almost beyond recognition. All 12 of the tracks on Let It Rain are imbued with a meditative sense of calm far removed from the belly-fire that once propelled Chapman. Loss, despair, death, abandonment: the singer-songwriter views all with equanimity and understanding.
Which is a shame, really. But there are great compensations. These songs are delicate, beautifully-crafted affairs. Chapman has a wonderful sense of melody and the elegantly bare production, courtesy of Chapman and ex-PJ Harvey producer John Parish, places the emphasis squarely on her mellifluous tones. The best tunes here are the most emotionally strident. ‘Almost’ is an affecting song of personal loss, while ‘Say Hallelujah’ mourns the dead even as it describes the inevitability of dying.
Lyrically, Chapman is talented but lazy. Often, she will pen an excellent first verse and chorus and then simply repeat variations of both until the song ends. Given how much more she could achieve, this is disappointing.
Still, Let It Rain remains quality listening. Chapman knows her craft well, and, while this record does not rival the dark magic of her eponymous debut, there is more than enough here to delight her audience.