The Murder Capital, 'Words Lost Meaning'

Dublin post-punk supremos The Murder Capital announced their  third studio album Blindness this week, accompanying the news with the rousing track ‘Words Lost Meaning’. The single oozes the band’s signature grit, via some gnarly bass and guitars, while hinting at a more anthemic direction for the five-piece through its big singalong chorus. 

“‘Words Lost Meaning' is where love goes to die,” notes frontman James McGovern. “When the words “I love you” are used without thought, without feeling, even as a way to close a conversation, they become stale and diffused. No words mean more than those three combined.”

 

Boyfrens, ‘Fiver’

Dublin-based electro songsmith Jack Hevey’s latest track is a sonically textured yet incisive breakbeat-propelled bop. Lyrically, the producer weighs up the lure of becoming an artist (the clout) against the inevitable drawbacks (having no money). The multifaceted tune is the latest in a long string of 2024 releases for the prolific artist - who’s been garnering some well-deserved attention for his unique electronic sound.

 

The Fynches, ‘Spain’

The Fynches are the brainchild of actor Ferdia Walsh-Peelo (Sing Street) and his brother Oisín, who, along with drummer Camryn Teehan, have forged a distinct sound which blends smooth vocal harmonies with folk-rock sensibilities.

Their new single Spain is a slow, plodding and soothing country-tinged tune, like something straight off of Paul McCartney’s Ram, detailing various escapades around the Iberian peninsula with a childlike, nostalgic wonder. The woodwind instrumentation is a nice sonic touch, as are the ‘60s soft-rock-evoking vocal harmonies.

 

Susy Good, ‘Change In The Air’

Northern singer-songwriter Susy Good makes a strong first impression with her debut single, ‘Change In The Air’, a harmonious, vulnerable track that’s stripped back and lush at all the right moments, and is likely to tickle the fancies of Big Thief and Phoebe Bridgers admirers.

“The song was birthed in 2021 when I was surrounded by uncertainty and anxiety abou where my life was going,” Susy says. “The song is a prophetic declaration that the Peace of God is always my portion and He is always with me completing what He started!”

 

Mickey Joe Harte and Rory & The Island, ‘Hey! Home for Christmas’

The Donegal pairing of Eurovision alumnus Mickey Joe Harte and Rory & The Island get into the Christmas spirit by focusing on the phenomenon of young Irish people returning home from their current abode in Australia,  Dubai, London, New York and elsewhere, and walking into their local pub and seeing an ex-partner with feelings lingering.

The song was, interestingly and modernly, written by Mickey and Rory over zoom and WhatsApp. It was similarly recorded in 2 different countries with Mickey recording his guitar and vocals in Donegal and Rory recording his parts in Lanzarote.

 

Forty Foot, ‘Constellation’

Dublin purveyors of 90’s-tinged rock Forty Foot follow up the success of their previous tune ‘Toothache’ with the rollicking ‘Constellation’, which is characterised by pounding drums, shoegaze-y guitars and catchy vocal harmonies. 

Lead singer Sam says the track is about his relationship with his dad, even going as far as to make a photo of them together with the artwork for the track. Eschewing his normal approach of burying meaning in metaphor and turn of phrase the lyrics for the track are much more direct, “I love you so much, I’m sorry I let you down, Can we move on, can we just figure it out”.

 

U2, ‘Luckiest Man In The World’

U2 mark 20 years of their landmark album How To Dismantle An Atomic Bomb with a special Re-Assemble Edition. The new ‘shadow album’ is set to get a standalone vinyl release next week, and is available now to stream and as part of a bumper box-set.

It features previously unreleased songs from the original album recording session, with ‘Luckiest Man In The World’ being a classic-slice of ‘00s era U2, as Edge’s signature, atmospheric guitars and a pulsating, straight-forward rhythm section buttress Bono’s romantic, anthemic musings.

Lisa Keane, ‘Already Gone’

Dublin-based singer-songwriter Lisa Keane has released her stunning new single ‘Already Gone’, following a string of previous singles ‘Nightmare’, ‘Chasing Ghosts’, and ‘Unravelling’. Her heartfelt new track is a poignant song written following a breakup, and about taking a step back from the situation.

With echoes of Taylor Swift and Sabrina Carpenter, ‘Already Gone’ is the perfect breakup track. Featuring stunning vocals, Keane takes her listeners on a journey through a relatable situation. By providing a powerful anthem, Keane is sure to help anyone who is going through something similar feel more optimistic.

Talking about the track, Keane said: “After a breakup, you can spend so long wondering what you did wrong or what you could have changed to make things work. But sometimes things aren’t supposed to work even if you want them to and sometimes it was nothing that you said or did that fractured the relationship. I think it’s important to try and take a step back from a situation like that so you can understand and process things more clearly. For me, writing songs like ‘Already Gone’ is my way of doing that.”

Jazzy x CamrinWatsin, ‘Touching Heaven’

Now the first female Irish ever to hit number one on the Spotify Ireland Chart, dance powerhouse Jazzy has released her brand new EP, No Bad Vibes, ahead of playing her biggest UK headline show to date. The 7-track project includes recent singles ‘Make Up’ and title-track ‘No Bad Vibes’.

A brilliant track from the EP, ‘Touching Heaven’, featuring CamrinWatsin, exemplifies Jazzy’s excellent ability to create easily danceable tunes. A key figure in the Irish dance scene, Jazzy’s powerful vocals fuel the upbeat track, and it’s easy to imagine boogying the night away to the song.

Birthday Problem, ‘The Language Of War’ ft. Molly O’Mahony

Birthday Problem have shared a new single ‘The Language Of War’ featuring West Cork singer-songwriter Molly O’Mahony. Birthday Problem is the exciting new collaborative project between two prolific producers/musicians – Matt Harris and Rocky O’Reilly. The duo have teamed up to thematically and sonically dive into a sci-fi electronica realm, taking a look at our future through a dark lens.

The track itself is an electronic anthem with strong vocals from O’Mahony, and a steady dark mood throughout. On writing the lyrics, Molly said: "I’ve enjoyed the challenge of writing to this track by Matt and Rocky, as it’s completely out of my normal wheelhouse. The hard-edged, beat-driven texture of the track lent itself to expressing some tremors of current world events through an imagined mythological voice. It was cathartic to channel some of my own feelings about the state of the world through this vessel.”

Oscar Blue, ‘Lovely Day for a Christmas’

Clare artist Oscar Blue has released a festive new single, ‘Lovely Day for a Christmas’. The new track comes following the release of his second EP, Six Figures of Solitude, which dropped a couple of weeks ago.

With an acoustic guitar strumming throughout, ‘Lovely Day for a Christmas’ is a festive tune with true heart that, for a lot of listeners, will be the track of the festive season. The use of a fiddle and bodhrán add a homely and comforting feel to the song, inspiring a home sing-along and dance.

Oscar describes his new track as “capturing the uniquely festive, Irish way of celebrating Christmas; reconnecting with old friends, singing, and dancing. The song is brought to life with the help of some of Ireland’s finest musicians: Eoghan McGrath (Kingfishr) on banjo, Dermie Sheedy (Hermitage Green) on bodhrán, and Meg Cronin on fiddle”.

Meemo, ‘Passive Aggressive Scammers’

Italian-born, Connemara-based multi-instrumentalist Meemo has released a new single, ‘Passive Aggressive Scammers’, ahead of the release of his third album Zugzwang.

In the explosive new track, Meemo calls out those who deceive and lie, highlighting how certain people lend themselves to hypocrisy and superficiality. Raw and direct language allow the artist to express his frustration, with the song conveying how those who expose the madness of lies are ultimately sidestepped as dangerous, meanwhile regular life and time fade away in the passage of days.

The acoustic guitar and broody riff give the track a consistent feel, while Meemo’s plaintive vocals complement the song’s overall sombre mood. The themes of escape and inevitable reckoning permeate the song.

Other Mother, ‘Inevitable’

Cork 5-piece indie-rock band Other Mother have released their gorgeous debut track ‘Inevitable’. Inspired by artists such as bóa, Fiona Apple, and Big Thief, the group have combined a 90s alt-rock sound with a mellow indie vibe.

Composed of Willow Esteve, Cathal O’Sullivan, Bláthnaid Marsh, Fionn Cogan, and Kate Byrne, Other Mother’s new song exemplifies the band’s unique style, merging heart-wrenching lyrics that tackle confusion, and a return to old coping mechanisms. This is merged together with a cool rock sound and an upbeat dance groove. Overall the song is a groovy anthem, with a melodic bassline, a captivating hook, a cracking guitar solo and clever lyrics.

Arn., ‘Talk Is Cheap’

Indie-pop/rock band Arn. have released their latest single after two years. While based in Donegal and Belfast, the group has opened for several acts such as Mundy, Keywest, and Brad Heidi over the last couple of years. On their new track ‘Talk is Cheap’, the group said it’s “about the apprehension of heading to Australia just to make money because living here is so expensive. It shouldn’t be that way”.

While providing a catchy anthemic melody, the track makes an important social commentary about the current predicament many of us find ourselves in, whereby the cost of living in Ireland simply becomes too much and we question the reasons we may end up living abroad. Arn. are back with a bang!

Projective, ‘Running’

A New Local Hero finalist Projective have released their debut single ‘Running’. The neo-soul, jazz and hip-hop group's new track is radiant and multi-genre. After a slew of live performances, the 7-piece have officially recorded their first track.

Opening with a gentle soundscape with layered harmonies, finger-picked guitar, a warm bass tone and swelling synth, the song’s melancholic quality takes on an unexpected turn at the 50-second mark. The track takes on a drum-and-bass rhythm, with cool riffs pushing the song forward with momentum. Finally, ‘Running’ goes gospel and R&B, with the track closing on a hip-hop influenced groove.

Talking about the track, the band explained: “Running is one of the first songs we wrote around the time that the band started. We wanted to write about the feeling of not being able to slow your mind down when it’s caught up in thinking negatively, be that about a relationship or another worrying situation in your life”.

Mary Black and The High Kings, ‘Past The Point of Rescue’

Mary Black and The High Kings have released their rendition of the classic ‘Past the Point of Rescue’. The track was originally brought to life by Mary in 1988, and since then has become an anthem for fans of Irish music of all ages.

The new rendition takes on a fresh and powerful sound, with Mary’s strong vocals being interwoven with stunning harmonies and the instrumental prowess of The High Kings. The classic track has a sentimental value that sweeps its listeners away. Strong vocals permeate the song, with traditional Irish instruments adding further tenderness to it.

K.P. Ring - ‘Maybe’ 

Cork based folk singer K.P Ring has released a heartfelt single ‘Maybe’, featuring unique Spanish-inspired guitar sections along with catchy electric guitar motifs.
‘Maybe’ marks the first release since his 2021 album All Day Breakfast. The track’ is the first single taken from K.P Rings upcoming EP. Ring shared that he has treated this project as a collaborative effort, taking advice from close friends, “This song, as well as the others, have been created with a collaborative effort in mind. I write and produce, and I ask my friends if they wanna jump on it. It's so fun this way.”

Curfew, ‘Lucid Mind’

Dublin based hard-rockers have released their debut single ‘Lucid Mind’. The three-piece display their signature sound on this new single, featuring swampy guitar riffs and haunting vocals. Frontwoman Jj’s vocals are reminiscent of Florence and The Machine, with their sound merging trip hop and alt-rock. 

‘Lucid Mind’ is the first of a series of singles, set to be released in the coming months from the newly formed band. Curfew consists of Jj Smilez (vocals), Gavin Dunne (guitar) and Mick Caffrey (drums).
The single was recorded from home and was mixed and mastered by Eoin Whitfield of The Hive Recording Studios. Curfew are to play a show in The Hut in Phibsborough in celebration of their debut single.

StrawMan, ‘The Kindness of Strangers’

Donegal musician StrawMan has released a new Christmas single featuring a sweeping traditional festive sound. The lyrics follow a journey, the struggles for some at this time of year, and a hopeful air encouraging people to stay on course in anticipation of better days ahead.
Featuring choral accompaniment and brass sections, ‘The Kindness of Strangers’ encapsulates the joy of Christmas. 

Alt-rock singer-songwriter, Tom Bonner, has just finished writing his upcoming album as StrawMan which is set to go into pre-production very soon. 

Rhob Cunningham, ‘Pocketsful’

Rhob Cunningham blends blues, Russian folk, and alternative pop on new track ‘Pocketsful’.
The single is taken from his new EP Shook Change which was released today. The track features catchy melodies, layered harmonies and rhythmic strummed chords which drive the tempo forward throughout the track. ‘Pocketsful’ features poetic storytelling, a signature to Cunningham's style. Rhob Cunningham has released 10 albums independently, recording across 7 countries and has shared the stage with artists such as Joan Baez, Tori Amos, and Lisa Hannigan. 

Talos & Atli Örvarsson, ‘Baltimore’

Taken from Atli Örvarsson and Talos’ upcoming EP, Sun Divider, ‘Baltimore’ is a mesmeric track comprising heart-rending vocal melodies, tender piano alchemy and sparsely-appointed strings.

This release is the first music from Talos since his untimely passing in August of this year. The project was completed in advance of his death and is being released in accordance with his wishes - Sun Divider is the first of three projects that will see the light of day.

Speaking about the forthcoming EP, Talos reflected: “The songs are dynamic and twist from small whispers to grand cinematic sweeps. They paint pictures of lost loves, lost spaces and reflect on lessons learned from hardships. They are sung from a place of sturdiness, from a place where life’s lessons have created solid foundations from which new life can sprout from.”

The Darkling Air, 'Pandemonium'

The Darkling Air have returned with their first single in five years.

‘Pandemonium’ continues the band’s trademark soul-stirring melodies and expressive lyricism, offering a tantalising preview of the Bangor based duo’s highly anticipated third album Pareidolia.

The track is a deftly-handled blend of brooding, experimental folk, pedalled by Rachel McCarthy’s scintillating vocals and guitar, underpinned by Michael Keeney’s mesmeric piano and string accompaniments. Renowned long-time collaborators, Arco String Quartet, also join The Darkling Air on this magnetic tune.

Pat Byrne, ‘Mam’s Song’

In Pat Byrne’s latest single, the Irish-born, Texas-based singer-songwriter commemorates his late mother who passed away early last year.

‘Mam’s Song’ marks the first of five songs to be released during the artist’s comeback, following a nearly two year hiatus. The tracks were recorded live in a single day at Cedar Creek Studio in Austin, Texas.

"I wrote “Mam’s Song” after my mother passed away last year,” Byrne reflects. “I wanted to write down some things I needed to hear from her. It was a therapeutic exercise that became a song, and I hope it can connect with anyone else dealing with loss. With “Mam’s Song” I can have some dialogue with my mother, forever.”

HART, ‘These Days’

Belfast-based HART are back with a scintillating new track, and the first offering that features the artist’s vocals.

‘These Days’ is a woozy, bespangled tune that channels a breakbeat and downtempo soundscape to dizzying effect. It makes for a welcome pairing with HART’s soul-stirring delivery - as she sings of sipping Guinness in the afternoon and escaping thoughts of feeling blue. With hardware-driven electronics that levitate above the stuttering breaks and a heavy bassline, ‘These Days’ cements HART as an undeniably compelling artist in Irish electronic music.

Eoin Maguire, ‘Golden Age’

The latest single from Eoin Maguire is a heart-heavy tune with a sweeping instrumental. ‘Golden Age’ holds its hands out in a hopeful, reminiscent show of sonic optimism to produce a distinctive soundscape that is timeless in spirit, yet contemporary by design.

With crystalline piano flourishes and a marble-smooth rhythm section, Maguire sings in the refrain: “I don’t know the feeling, calling from a Golden Age. Captured in photos, speckled with a golden grain.”

 

View this post on Instagram

 

A post shared by Eoin Maguire (@eoinjamesmaguire)

Ten Hail Marys, ‘I Still See Your Face’

Dublin alt-rockers Ten Hail Marys are back with a riff-driven new single.

‘I Still See Your Face’ boasts an infectious, pop-rock lyrical approach, exploring what could be the loss of a loved one or relationship that has come to an end - the band leave this decision up to the listener.

Before the final chorus, a bridge section kicks into high gear, channelling the sound of early 2000s American rap with throbbing drum patterns and stuttering basslines. Rollicking riffage close out the track on a high note, circling back to the same riff which opened ‘I Still Your Face’ in the first place.

Emma Langford, ‘Hunting The Hare’

The latest single from Emma Langford and Sive, ‘Hunting The Hare’, pulls no punches, drawing inspiration from hunting and hare coursing, a long-standing tradition in Ireland.

Penned in the wake of Ashling Murphy’s murder in 2021, Langford and Sive draw parallels between women and hares: “the picture of an innocent hare running for its life, a mirror-like reflection of a young woman killed while out for a run.”

“The track’s release now is a response to the ongoing live-streamed displacement, famine, and brutality that people in Pal3stine, Svdan, C0ngo, Y3men, Vkraine and more are experiencing at the hands of colonial powers,” Langford said in a Facebook post.

JC Stewart, ‘Waste’

Boasting delicate folk majesty, JC Stewart announces his return on his brand-new single ‘Waste’.

Recalling the crystalline acoustics of James Vicnent McMorrow and early Ben Howard, ‘Waste’ explores the fallout of a relationship as the singer croons: “I drew a line and you crossed it / I gave you time and you lost it. Were you just a waste of my love?” .

Soda Blonde, ‘The Saddest Thing’

Dublin-based indie quartet Soda Blonde are back with their single ‘The Saddest Thing’, a disco-flavoured, sorrow-filled dream of a tune that is a glittery as it is tragic, making for a deeply distinctive and catchy track that beautifully encapsulates what makes the band’s sound so special.

Queen Bitch, ‘Fool Out Of Me’

Emerging Irish artist Queen Bitch has released the contagious new single ‘Fool Out Of Me’. A gritty rock tune of maximalist drum lines and laid-back vocals, complete with high-octane guitar riffs, the track is an anthem of resilience and comes ahead of the musician's upcoming debut album, set to come out in 2025.

Lloyd John, ‘Take My Heart’

The first single from Limerick musician Lloyd John’s upcoming EP Am I Pretty Enough, ‘Take My Heart’ is a deeply personal yet groovy and unbridled track, complete with the singer’s signature powerful vocals and soul-inspired guitar riffs.

“I wanted to write a song that captured the feeling of finding ‘The One’”, the musician comments. “‘Take My Heart’ is about meeting someone new, falling instantly in love, drinking and dancing into bed, only to wake up realising that even though the night didn;t end in intimacy, you both shared a profound connection.

“It allowed me to embrace my queer identity,” he adds, “and feel accepted within the grey areas.”

Lucy Robinson, ‘Simply’

A warm electro-folk tune of gentle acoustic guitars and buttery-smooth vocals, Lucy Robinson’s ‘Simply’ is heartfelt exploration of growing up, adulting, and making life-altering decisions, showcasing the musician’s distinct talent for blending raw vulnerability with uplifting melodies.

“This song is about getting out of your comfort zone, appreciating where you came from, and finding the courage to move forward,” Robinson explains. “It’s deeply rooted in my personal experience of leaving Ireland to pursue a music career in Leeds, and the conflicting emotions of chasing a dream while missing home.”

Leila Jane, ‘Judgement Call’

The lead single from Leila Jane’s new record Untangled, out now, ‘Judgement Call’ is an infectious alt-pop track of highly danceable production and uniquely catchy vocal lines, crafted in collaboration with producers Sam Stevenson and Michael Heffernan.

Speaking of first putting together the track, Jane says: “It had been a long winter and all of a sudden it was a peaceful sunny day. I had just visited this cool studio, meeting one of my recording engineers for the first time. I had this dreamy sense of positive beginnings as I walked home across the grassy parks and the song began to come to me.”

Carpark Sci-Fi, ‘Dawn Breaks’

Carpark Sci-Fi, aka Gav Cowley, returns with his new single 'Dawn Breaks', released ahead of his upcoming 10-song record Small Stories, out February 14. A gently longing indie track, 'Dawn Breaks' is made up of sentimental acoustic guitar chords and longing vocal lines, with rich textures of smooth piano notes and transporting rhythmic sections, making up a single that perfectly showcases the singularities of Cowley's sound.

VERA, ‘Lo-Fi’

Irish alt-rock band VERA release their pulsing new single ‘Lo-Fi’, a late-night anthem about grieving love. With an explosively noisy chorus of growling bass and scintillating synths, the track is both heavy and incredibly catchy, mixing longing themes with boisterous soundscapes.

"Lo-Fi is a song about being disillusioned with love and the pursuit of happiness,” the band comments. “It describes how we, through the pain of a breakup, seek solace in mundanity rather than idealised notions of happiness"

Nick Carlisle, ‘The Shout From Beyond’

Northern Irish artist Nick Carlisle today releases his new record Sailors on The Rolling Sea, including the scintillating single ‘The Shout From Beyond’. With groovy 70s textures juxtaposed with heavy themes like the rise of right-wing extremism, the track is deeply distinctive and offers a tantalising look into the musician’s new record.

“I wrote the lyric to this one earlier this year as a kind of look back at the last few years of populism,” Carlisle says, “and how the mainstream news media ended up elevating right wing extremist views and conspiracies to a level of false equivalency with more experienced & nuanced opinion, in their bid to be impartial. The song is one half of a dialogue perhaps with a friend who has fallen for the right wing smoke screen of hate. I thought we were coming to the end of this dreadful period - silly me.”

Projective, ‘Running’

Irish neo-soul group Projective released ‘Running’ today. The track mixes neo-soul R&B and hip hop with varying tempos and drum-and-bass-inspired rhythms.

Cian Sweeney, a producer who has collaborated with Malaki, Le Boom, and Shiv, assisted in recording the track.

The band explains the single: “Is one of the first songs we wrote around the time that the band started. We wanted to write about the feeling of not being able to slow your mind down when it’s caught up in thinking negatively, be that about a relationship or another worrying situation in your life”

“We jammed the chorus idea and the hook fell into place soon after. The song has so many different vibes and sections but it all felt right in the moment, so we decided to run with it. The recording process was very gratifying. We had spent months performing the song live, and to finally get to hear it being produced and coming to life in a form that can now live forever was a special feeling.”

Blue Slate, ‘Charlotte’s Song’

Kildare four-piece Blue Slate have released ‘Charlotte’s Song’, taken from their debut EP This Is How I Sleep at Night.

The song features the band blending new wave and shoegaze, with appealing guitar riffs from Pierce Devine and raw vocals from main singer John Harney. Meanwhile, the aggressive rhythm section of bassist James Hargreaves and drummer Tim Tora keeps the song's lyrical honesty alive with an unrelenting speed.

The band explains that “With ‘Charlotte’s Song’, we decided to strip back the noise and allow vulnerability to come through. This track represents a very particular point in our lives and is an ode to that time, serving as a reminder to never forget and always be grateful for what you have in your life.”

The Violet Breaks, ‘Mercury’

Dublin indie newcomers The Violet Breaks have made an entry onto the music scene with their debut single 'Mercury', dropping today ahead of their gig at Workmans in February. Described by frontman Eoghan O’Neill as a "high-octane blend of energetic indie/alternative with big choruses and hypnotic hooks," the song sets the stage for the band’s signature sound, inspired by acts like The Strokes and Queens of the Stone Age.

The Violet Breaks, whose members are Eoghan O’Neill, Shay Ferris, and Jonny Byrne, are no newcomers to the Irish music scene, having previously been known for their work in The Obcd, who performed at Electric Picnic in the early 2010s. After honing their craft between Berlin and Dublin, they’re now releasing new material through their own Desk Bureau Records label, with a debut album in the pipeline for next year. 

Just 2 days until Replay is released - You can pre save it via the link in our Bio.

Keep an eye out here for links to the full music video on Friday #NewIrishMusic pic.twitter.com/AP3zxZvngX

— The Violet Breaks (@thevioletbreaks) May 8, 2024

ROE, ‘Christmas Once Again’

Derry-born Indie artist Roe, has recently released her latest single titled ‘Christmas Once Again’. The track is a gentle acoustic holiday song that exudes a sense of comfort and festive cheer. Having made the bold decision to leave college in order to pursue her passion for music, Roe has emerged as a talented musician and singer with a unique alt-pop vibe.

Her twee vocals seamlessly blend with pop-sounding instrumentals, creating a delightful and captivating sound. Notably, Roe is also known for her skillful acoustic guitar playing, which adds an intimate and organic touch to her music.

In regards to her new release, Roe says on Instagram, "Okay I know it’s only November but I’m so happy to announce that I’ve finally written a Christmas song." With her artistic versatility and heartfelt approach, Roe's 'Christmas Once Again' is sure to become a beloved addition to the holiday music canon.

Right in time for the holiday season. 

Okay I know it’s only November but I’m so happy to announce that I’ve finally written a Christmas song.

It’s called ‘Christmas Once Again’ and comes out next Friday 22nd. ⭐️

p.s. radio DJ/reviewers pals into sad indie festive music, let me know so I can send it your way pic.twitter.com/TO0mbAwzEe

— ROE (@Roe_music) November 16, 2024

Liam Foody - 'Waiting For You'

Dublin-based indie artist Liam Foody continues to captivate audiences with his heartfelt and atmospheric approach. His latest single, 'Waiting For You', dives deep into themes of longing and resilience, showcasing his smooth vocal style and layered arrangements. 

Known for balancing vulnerability with a refined indie sound, Foody brings a fresh voice to the Irish indie-pop scene. If you’re into acts like Damien Rice or Kodaline, Foody’s poetic lyricism and mellow tones are a must-hear.

Joe Maxi - 'The Shift'
Dublin’s four-piece Joe Maxi pack a punch with 'The Shift,' a track from their latest experimental rock EP. Fusing elements of punk, prog-rock, and noise, Joe Maxi have built a reputation for their intense live performances and genre-blending sound. The track is real punk and is worthy of throwing fists up in mosh pit, or a fast two-step. 

Led by the fierce vocal presence of Mikey Fowler, the band channels influences ranging from Black Midi to Iggy Pop. Following up the chaotic single 'Butterfly', 'The Shift' solidifies Joe Maxi's standing as a powerhouse in the Irish indie and punk circuits.

Check out our New Irish Songs To Hear This Week playlist on Spotify below: