- Music
- 09 Apr 01
REVELINO: “Revelino” (Dirt Records)
REVELINO: “Revelino” (Dirt Records)
WITH IT’S icy-blue, minimalist sleeve-artwork surrounding thirteen mainly sub three-minute ditties, Revelino have produced an album of tuneful, guitar-driven pop with enough hooks, licks and grooves to mark them out as instant contenders. A new Dublin combo, risen from the ashes of The Coletranes, Revelino will simultaneously make their live debut with the release of this eponymously-titled gem. If they can cut it on stage as well as they do in the studio, they’ll have little to fear.
A host of influences permeates but doesn’t dominate their sublime tapestry and there are distinct echoes of The Beatles, Murmur-era REM, (esp ‘Taking Turns’), classic Brit-pop à la Kinks and Squeeze with a nod towards The Byrds and Beach Boys in the jangly department. Ultimately though, it’s the sheer sonic urgency that impresses most — the album was recorded in just ten days, the band obviously confident in their ability to make a record on instinct.
The opener, ‘Happiness Is Mine’ — a restrained rocker with a big echoey bass and drum sound has vocalist Brendan Tallon sounding like John Lennon on ‘Come Together’. ‘Mr Bones’ generates even more heat with a great guitar riff and ‘Hello’, the current single, is as good a calling card for their eloquent tunesmithery as anything else included here. On ‘World Going Down’, the most Kinks-like track, he even sounds like Ray Davies and the dissonant guitar solo on ‘No Forever Girl’ lends an appropriate psychedelic edge.
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Tallon writes all the songs too and the sometimes complex chord progressions belie their straightforward, no-nonsense execution. From the pleading restraint of ‘Don’t Lead Me Down’, to the new-wavey and brilliant ‘Libertine’ he maintains a consistent standard without lapsing into formula. The mood softens on ‘She’s Got The Face’, a wonderfully atmospheric ballad with classic status written all over it and a Crazy Horse style fuzz-tone mood creeps into ‘Slave’ and the album’s closer ‘Tonight’.
All throughout, the rhythm section is rock solid, the harmonies pristine and the songs beg for attention. Revelino — does it mean revelation in Italian? It should! Classy stuff.
• Colm O’Hare