Bloody hell. Matthew Jonson’s mix is a blinder – the swirling, Model 500 ‘Starlight’-era washes are beautifully all-encompassing, while the live-feeling bass and bassline pack quite a punch. Add to this the plantative vocals from Richard Davis and the Detroit squiggles and you’ve got a total winner. And that’s not even mentioning Swayzak and Davis’ mixes on the flip…