This debut album from Cork post-grunge outfit Fingersmith (formerly Silo) is not for the faint hearted. Unapologetically loud, angry and in your face, it certainly demands the listener’s full attention.

But give The Annexe a few listens, and you’ll recognize the skillful production of Neil Caulderwood (Fighting with Wire) and recognise The Annexe for what it is – a heady blast of grunge at its finest. So it’s loud? Yes indeed. With razor-sharp riffs, frenzied syncopated beats (courtesy of sticksman Eoin Ryan) and vocal hooks aplenty (singer Philip Murray), the album is intense, urgent and energetic from start to finish. But it’s melodic too (a tip of the cap to both bassist Cian O’Leary and guitarist Shane O’Leary), ensuring that it’s got what it takes to get inside your head rather than just pounding on it.

Be warned though – lyrically, it ain't no picnic. First track ‘Pogo’ is about a serial killer clown – and yep, that’s a pretty accurate indicator of where the rest of the album is headed. ‘Sorry Sight’, ‘Unlucky For Some’ and ‘Class Clown’ all deal with regret, abuse and sadness. Yes, for the most part misery and it’s the name of the game here folks, and no better boys to explore it than this lot.
Give it a listen – if you dare!