- Music
- 12 Sep 01
Jack L, the performer, is a curious hybrid of overblown dramatics, absolute sincerety and rock star posturing
A man of small gestures he ain’t. Sweeping spotlights, orchestral arrangements, feather boas and high-gloss PVC trousers all form an integral part of the backdrop to the drama and the pomp that is a Jack L show.
Jack L, the performer is a curious hybrid of overblown dramatics, absolute sincerety and rock star posturing. At times, a puzzling concept, but above all, it is a fascinating spectacle and on this night, the crowd love every minute of it.
Crowd favourites ‘Georgie Boy’ and ‘Ode To Ed Wood’ go down a storm and Jack L’s deliverance is passionate, energetic and unmercifully engaging. Skilled live performers have become a rarity and Lukeman’s ability to work a stage and a crowd is an admirable talent which gets him through even the parts where the songs let him down slightly.
It is a sometimes dangerous balancing act he performs, as the heavy reliance on dramatic effect, both in the music and in his stage persona, could quite easily slip into parody. But Jack L pulls it off, and he does so because there is enough intelligence and talent at work here to back it up.
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New songs like ‘Don’t Fall In Love’ and ‘Keep Dancing’ seem to indicate a more direct, melodic and perhaps toned down approach. They also serve as a pleasant reminder that with a voice like that, all you really need is songs to equal its specatacular quality.
Another of the evening’s highlights is a superb rendition of Jaques Brel’s ‘If You Go’, where Camille O’Sullivan provides some stunning vocals.
Jack L signs off with ‘So Far Gone’, a delicious slice of pomp pop, and there is again the suspicion that he has a cracker of an album waiting in the wings. But tonight it was about the live performance and for now, Jack L has to be content with being one of the hottest tickets around. Not a bad night's work.