In all honesty, is there any real point in validating, contextualising, or reviewing this music? Surely this has about as much to do with music as the launch of a new kid’s toy? Aside from the fact that Michelle McManus has about as much star quality as an elderly senile relative, the faux-emotional soulfulness of this song is a nauseating example of songwriting-by-numbers. Not so much the meaning of love as the tawdry and heinous sounds of unabashed and uncreative commerce.