- Music
- 22 Aug 06
The Canadian duo have apparently been in “hibernation” since their 2004 debut left many a jaw dropped. And while the basic elements remain the same – pristine synths, melancholic melodies and that distinctive vocal – there is more meat on their bones now, a new focus on choruses and even more heart-rending moments of icy perfection. The glitch-hop references have faded, the ten songs on offer augmented instead by nods to pure house music, outstanding songwriting, Frank Sinatra (there’s a cover of his ‘When No One Cares’), The Blue Nile… and pop, pop, pop. So maybe this is new ‘new pop’ – a very modern music, adroitly aware electronica with soul, underground music with the controls set for the heart of the charts. Album of the year.
The Canadian duo have apparently been in “hibernation” since their 2004 debut left many a jaw dropped. And while the basic elements remain the same – pristine synths, melancholic melodies and that distinctive vocal – there is more meat on their bones now, a new focus on choruses and even more heart-rending moments of icy perfection. The glitch-hop references have faded, the ten songs on offer augmented instead by nods to pure house music, outstanding songwriting, Frank Sinatra (there’s a cover of his ‘When No One Cares’), The Blue Nile… and pop, pop, pop. So maybe this is new ‘new pop’ – a very modern music, adroitly aware electronica with soul, underground music with the controls set for the heart of the charts. Album of the year.