- Music
- 21 Jun 06
The first track on Dublin-based singer-songwriter Eamonn O'Connor's EP, Born To A Holy Land, is a melancholic lament to Ireland's troubled past and woes of the present day. Cello accompanies acoustic guitar to give it a deep mournful sound, with some genuine spine-tingling moments. 'Love In Vain' is a little more cheerful and up-tempo throughout and has a definite folk/country feel. O'Connor's voice is soft and wistful, lending a distinctive atmosphere to his music. 'Yellow Man Street' is accompanied by harmonica, again giving it that folk feel and subject matter sticks with the parochial and traditional. We hardly need another singer-songwriter but we can certainly make an exception for Eamonn O'Connor.
The first track on Dublin-based singer-songwriter Eamonn O'Connor's EP, Born To A Holy Land, is a melancholic lament to Ireland's troubled past and woes of the present day. Cello accompanies acoustic guitar to give it a deep mournful sound, with some genuine spine-tingling moments. 'Love In Vain' is a little more cheerful and up-tempo throughout and has a definite folk/country feel. O'Connor's voice is soft and wistful, lending a distinctive atmosphere to his music. 'Yellow Man Street' is accompanied by harmonica, again giving it that folk feel and subject matter sticks with the parochial and traditional. We hardly need another singer-songwriter but we can certainly make an exception for Eamonn O'Connor.